Sunday, June 29, 2014

I'm a materialistic piece of shit (and i love it)



It's been a while. Some things have changed and yet other behaviour remains more consistent: I found out that I really, really like good looking shoes and find them sexy almost without fault. It beguiles me to this day that I haven't grown more feet - why would i continue buying more shoes?





Monday, April 15, 2013

Carl Hammoud, Everybody:



I've realized that half of the satisfaction i get from art comes from continuously attempting to lump little bits of everything together, as if behind the curtains of this giant benignity we call life i might discover some semblance of a plan.

I recently came upon Carl Hammoud through 12oz Prophet and i was reminded of a time i spent working for a racist Israeli selling piles of useless shit in a set of warehouses. Each day as the sun would set and the air would turn yellow i would revisit the horde of filth and catch it cast in a heavenly glow. For a few lonely minutes, the pile looked like a scene of heaven.

I also once worked at a library, which was a pleasant time that conjures less colourful metaphors.

I am reminded of both of those times in a happy sort of hindsight as i gaze into these very mindful pieces: The colour palette reminds me of DuChamp, the form reminds me of Samuel Bak and Ai Wei Wei, and parts of the imagery remind me of my good friend Magritte.





















Thursday, April 4, 2013

Saturday, March 2, 2013

Thursday, February 28, 2013

SQUASH BEEF



No, i’m not talking about a savory dish or a recipe on how to make one. I’m talking about the slang term for ‘get along already’. I came across a rather heartwarming story today of not just beef getting crushed or breaded with squash, but an exemplary artistic way of explaining oneself:

    Somewhere near the Bay Area in 1993 the graffiti artist Keep6 was involved ‘in a beef’ with the MBC crew. Keep6 threw up a giant piece that said ‘KEEPFUCKINGSIX’ [see picture] in his own wild style on the side of an appropriate building. RaiseOne of MBC kept and morphed Keep6’s letters into an equally big burner that read ‘RAISEFUCKINGONE’.

Fortunately Keep6 seems like a very understanding guy and immediately dropped the ego and the beef. Everyone likes a happy ending, so there.

Once i find pis of the RaiseOne piece i’ll throw them up here too.

Keep on keeping on. Six times forever, baby.

-e.

Tuesday, October 2, 2012

It is my moral duty to pass this on:

DAVID OREILLY & CO CREATED A WORLD THAT IS EXTERNAL TO OURS (according to them)


 [now in Werner Herzog's voice:]

BUT TO ME IT IS HAUNTINGLY SIMILAR TO OUR OWN

It's less than 20 minutes long.


THE EXTERNAL WORLD
A boy learns to play the piano.


And literally only for 'fucks sake':



AWARDS

Audience Award – Dead By Dawn Film Festival (2012)
Best Animation, Best Experimental – SOTW awards (2012)
Special Mention – Bolzano Short Film Festival (2011)
Best Short Film – Ljubljana Intl. Film Festival (2011)
Best Short Film – Anim’est IAFF Romania (2011)
Grand Prix – Tallinn Black Nights Film Festival (2011)
Audience award – Tallinn Black Nights Film Festival (2011)
“Most Actual Animation” Award – Multivision Festival (2011)
Audience award – Uppsala Intl Short Film Festival (2011)
Best Contemporary / Experimental Short  – Sapporo Shortfest (2011)
CRYPTON Best Sound Award – Sapporo Shortfest (2011)
Grand Prix “Golden Kuker” – The International AnimationFilm Festival Sofia (2011)
Best Direction Award – ANIMAGE – III International Animation Festival (2011)
Best International Short (Independent) – Playgrounds Festival (2011)
Best Short Film Award – Anim’est IAFF Romania (2011)
Golden Gate Award – Best Animation – San Francisco Film Festival (2011)
Best film in category “10-50 minutes” – KROK (2011)
Grand Prix – 25FPS Festival (2011)
Audience Award – 25FPS Festival (2011)
Grand Prix – Fantoche Film Festival (2011)
Grand Prix – Silhouette Short Film Festival (2011)
Jury Special Mention – AyeAye Film Festival (2011)
European Youth Jury Special Mention – Aye Aye F.Festival (2011)
Special Achievement Award – ANIMANIMA (2011)
Audience Award – ANIMANIMA (2011)
Best International Animation – Anibar (2011)
Best Short Animation – Guanajuato Intl Film Festival (2011)
Jurys Special Mention – Melbourne Animation Festival (2011)
Best Animation – Tabor Film Festival (2011)
Special Mention – Curtocircuito Festival (2011)
Vox Veronicae Award – Tabor Film Festival (2011)
Audience Award – Vienna Independent Shorts (2011)
ASIFA Austria Award – Vienna Independent Shorts (2011)
Award of Distinction – Prix Ars Electronica (2011)
Grand Prix – Intl. Festival of Animated Film Stuttgart (2011)
Golden Gate Award – Best Animation – SFIFF (2011)
Grand Prix – Hallucinations Collectives (2011)
Best Short Film – Obliqua Section – Mecal (2011)
Adobe Award – Regensburg Short Film Week (2011)
Best Animation – Tampere Film Festival (2011)
International Audience Award – Minimalen Film Festival (2011)
GoShort – Best Animation (2011)
IFTA – Best Animation (2011)
Canal + Award – Clermont Ferrand (2011)
Honorary Mention – Sundance (2011)
Best Animation/Yoram Gross Award – Flickerfest (2011)
Public Award – S. de la Cinémathèque Québécoise (2010)
Youth Award for best short film – Gijon Film festival (2010)
Berlin Award – Interfilm (2010)
Grand Prize – Kurzfilmtage Winterthur (2010)
Special Mention – Cork Film Festival (2010)
Grand Prize – Ottawa Animation Festival (2010)
Best Experimental Film – Rio De Janeiro SFF (2010)
Special Mention – Rio De Janeiro SFF (2010)
Special Mention – Intl. Film Festival Bratislava (2010)
EFA Nomination – Venice Film Festival (2010)




Thursday, August 30, 2012

The Secret is that Radio Waves are (Invisible) Light




"As part of our species’ search for intelligent life in the universe, the United States flung a Pioneer space probe containing a graphic message far out beyond our solar system in 1972. The scientists associated with it hoped that it would be intercepted by some galactic beachcomber after it left our corner of the cosmos. Newscasters speculated upon how it would find its way to some distant planetary system to be turned over in prehensile limbs we cannot imagine. 
Of course, Marconi had already done the same. Seventy-seven years earlier, a small percentage of the magic light from his first radio broadcast did not get reflected back to Earth but passed on through the ionosphere and escaped into outer space. Unlike sound, light is capable of spanning the void. It takes eleven days for sound to cover the distance light travels in a second. From 1895 onward then, the incoming light from distant stars has had to pass through our outward-bound radio wave transmissions. 
Imagine the excitement that will be generated when some lone radio ham, on a distant planet orbiting a different sun from ours, one night just happens to turn on and tune in to Earth. What a surprise will unfold, because it is all there - the entire history of the twentieth century as well as music since the Renaissance. Our new radio audience will be able to listen to all our electromagnetic radio transmissions falling on their planet as light from their sun falls on ours. They will hear our extraordinary talents and momentous events as they arrive encoded in these waves. Out somewhere beyond Alpha Centauri, there exists in an ectoplasmic state the messages of Amos and Andy, Adolf Hitler, and Bishop Fulton Sheen, and the music of Ludwig van Beethoven and Bing Crosby. Beginning in the Renaissance, music was recorded through notation. Because of it, the constraints of time were overcome. Now as a result, we can listen to the ensuing centuries’ music. Radio has superseded the constraints of space as well because by converting music to light, Bach and Mozart will resound in outer space forever.
Anyone receiving our early broadcasts would be tuned to musical trends and historical events that have already happened here on Earth. Because of the time it takes light to traverse space, they will not know the outcome; having to wait in nail-biting suspense, like children at a Saturday matinee, to find out who ultimately wins World War II or the answer to the crucial question of whether we will ultimately destroy ourselves in an environmental apocalypse. 
With the advent of television we have dramatically increased the outpouring of light-as-information. Now our stellar audience can see what we look like as well as how we sound. The soap opera called the Twentieth Century has expanded out from Earth in a bubble of ghostly light. If, as some astronomers have speculated, there are many different planets out there capable of containing intelligent life, more and more planets will tune in as our programs fan out across space, and soon music and our story will be heard and seen at different times in different places from one end of the universe to the other. "

-Leonard Shlain 
Excerpt from 'Art & Physics: Parallel Visions in Space, Time and Light'